#MyCurtsyStyle
Upper East Side Prep Isn’t Quiet Luxury
Spotted on the Met steps in tweed sets, pleated minis, wool coats, and Blair-worthy headbands.

Blair Waldorf’s headband was basically a crown. (marieclaire.com) Her Gossip Girl wardrobe mixed crisp school clothes with pearls, brooches, and colorful blazers. That’s the fun of Upper East Side prep: looking polished without trying to blend in.
You don’t need to borrow the fictional fortune—or the entire outfit. You can look polished and still feel like yourself.
The uniform was only the beginning
The show’s prep had real Upper East Side roots. Costume designer Eric Daman took cues from students outside schools like Chapin. He spotted Balenciaga bags, knee-high argyle socks, and Tory Burch shoes, with different groups recognizable through their accessories.
The uniforms matched, but the accessories didn’t. A bag or pair of socks could make the same uniform feel personal.
Blair’s style took cues from Audrey Hepburn and Anna Wintour. Serena’s was more Kate Moss: glamorous, but less buttoned-up. Daman and assistant costume designer Meredith Markworth-Pollack used those references to give the characters distinctly different looks.
Pleated skirts, fitted cardigans, and tailored tweed jackets give Blair-inspired prep its shape. A woven skirt keeps its pleats crisp. A fitted cardigan lets a shirt collar peek out without covering the whole outfit.
Tweed brings texture to those tidy layers. A cropped jacket has a clear outline, whether you wear it with a matching skirt or something already in your closet. A tailored wool coat keeps the outfit looking put-together when it gets cold.

The shape matters more than how short the skirt is or whose name is on the label. You can get the look with a knee-length pleated skirt or tailored plaid pants, too. The clothes can look composed even when your day isn’t.
Polished doesn’t mean quiet
The pearls and brooches weren’t Blair’s only extras. Scarves, patent pumps, and frilly headbands joined the mix. Some people thought it was too much; Ruth La Ferla’s 2008 New York Times story captured complaints about her cluttered layers.
But a little extra decoration is part of the appeal. A crisp shirt and tailored skirt leave plenty of room for an accessory that gets noticed.
You can borrow the headband without borrowing the school drama. A structured velvet or satin version frames your face and dresses up simple layers. A structured satchel or pearl-and-gold earrings can dress up the outfit, too.

Color is another option, not a requirement. Try burgundy against a white collar, or a bright cardigan under a dark coat. If you prefer neutrals, a textured tweed jacket or bold headband can bring the personality instead.
You don’t have to pile everything on. One detail you love can be enough to make the outfit feel like yours.
Celine’s fall 2026 collection had close-fitting tailoring, neat shoulders, and updated French peacoats. “Classics is one thing, but we like bite,” designer Michael Rider told Vogue.
The clothes are different, but the idea is similar: classics with a little attitude.
Borrow the look, make it yours
The show looked expensive, but Daman and Markworth-Pollack didn’t tell fans to shop that way. They encouraged fans to find vintage or thrift-store pieces, get them tailored, and make the look their own. That advice dates to their 2008 Vanity Fair interview.
You can borrow the look without copying a screenshot. Choose a tweed jacket because you love its shape, not because it completes a fictional character’s uniform. A cardigan you already reach for can be your starting point.
Shopping secondhand? Look for a skirt with a defined waistband, a shirt with crisp cuffs, a fitted cardigan with neat edges, or a bag that holds its shape. Those details matter more than “old money” in the listing title.

You don’t need to assemble everything at once, either. A favorite piece can get another chapter with a different collar, coat, or accessory.
Explore the Upper East Side Prep collection on Curtsy and start with a piece you love.
The goal isn’t to dress like Blair’s understudy. It’s to look like you had the final say.